In a time when victimhood and cancel culture are prevalent, comedians like Leo Reich and filmmakers like Kristoffer Borgli are using satire to address the trend. Reich’s new special “Literally Who Cares?” and Borgli’s film “Dream Scenario” both explore the absurdity of seeking attention through victimization.
While some may criticize comedian Hasan Minhaj for his controversial statements and fabrications, his approach can be seen as a reaction to a culture that values personal emotional stories and dramatic displays of victimhood. Minhaj’s comedic style reflects the current societal trend of everyone, regardless of status, trying to position themselves as victims.
In his comedy special, Minhaj cleverly jokes about the division in the country not being between rich and poor or political parties, but between “the insane” and “the insufferable.” He humorously contrasts those who stormed the Capitol with those he describes as having “NPR tote-bag energy” and “hall monitor” tendencies.
While some may find Minhaj’s humor controversial, it ultimately serves as a commentary on the current culture of victimhood and cancel culture. By using comedy to highlight these issues, artists like Minhaj, Reich, and Borgli are able to shed light on the absurdity of seeking attention and sympathy through victimization.
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